Theatre sound · production tracking
Tech-Table.Com turns the design meeting deliverables matrix and the seminar timeline guidelines into a personal dashboard — one per student, across every production and every role.
Assign yourself to Sound Designer, Composer, Production Sound Engineer or any assistant position — on as many productions as you are carrying.
Every show gets the full sound timeline — DMTG 1 through strike and post mortem — generated from its opening date and editable to match the production calendar.
Each item carries the actual requirement: what to prepare, how it is judged, who receives it and where it gets distributed.
Owns the sound score: concept statement, cue sheets, block diagram, shop order, plot drawings and programming.
Shadows the Sound Designer: paperwork, rehearsal timings, headset liaison, notes and follow-through.
Writes the score: models playlist, music cue sheets, overture sample, musician budget and final .WAV show cues.
Shadows the Composer: lead sheets, orchestrations, parts, rehearsal timings and notes.
Preps, installs, tests and calibrates the system and comms; owns load-in, budget parts list and load out.
Shadows the Production Sound Engineer: documentation, equipment checks, liaison work and backups.